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發表於 2005-7-28 17:20:42
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Originally posted by HackerWong at 2005-7-28 05:00 PM:
linkin park家下想學埋effect la???? 
唔只drummer lu...踩過界
[ Last edited by HackerWong on 28-7-2005 at 05:03 PM ]
就出糧買電吉他 , 問定先渣 
其實我冇打鼓好耐 .. coz 夾開果兩個 like 玩日本野 .. e.g Dir en grey .. Luna Sea .. 但我又少聽 j-rock .. 所以唔想夾
想搵 d 真係喜 Muse o既人夾下呀 , 不過好多都係最愛 radiohead , coldplay , 次愛 Muse ..
下面堆野睇唔明 .. 有 d skill/term 唔知係乜
Matt mostly uses the Sweep Echo setting on the Line6 Delay Modeler. This setting is a combination of an echo/delay and a filter (similar to a phaser). It can be heard most noticably during the live intro of Bliss, and throughout numerous other songs when playing live.
The effect used on the solo of Sober is that of the Lovetone Meatball. It is primarily an envelope filter but allows you to manipulate many more parameters than conventional filters. Details and sound samples can be found on the Lovetone website.
The strange solo effect on the recording of Dark Shines is the Trumpet Effect featured on the Roland VG-8.
The solo effect of Newborn is obtained by using the Digitech Whammy set to 1-octave up.
The Muscle Museum intro is achieved by using the 1-octave up harmony setting of the Digitech Whammy.
The solo of Sunburn features the Digitech Whammy set to raise the pitch by 2-octaves as well as a slight delay.
Numerous songs on Showbiz, namely Fillip, Cave and Uno feature pitchshifting effects at the start, again obtained using the Digitech Whammy.
Despite what the official tab book might say, Sing for Absolution is played with a capo on the 2nd fret. The compressed wah sound in the solo is a Foxx Tone Machine, an old fuzz wah pedal from the sixties. The signal went from the guitar, to the pedal, then into a stereo delay going out to two different amps with different distortions on each delay, similar to the guitar setup used in the solo of Hysteria.
Thoughts of a Dying Atheist uses a capo on the 10th fret.
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發表於 2005-7-26 14:36:46
發表於 2005-7-29 07:48:15
